Pad Pad
Pad-Pad
'Don't sleep out in Mulgrave Woods! There's the Pad-Pad.'
Those were our Nana Morgan's words. But we were young, needed adventure, so of course we just ignored her. We went to the woods in the afternoon to play in the trees and streams there. Come twilight, when we were sure no rangers or game keepers were about to shoo us away home, we pitched our tents in a remote clearing by the old castle. My brother, my cousin, our neighbour and me, we slept out. We lit a camp-fire and enjoyed a summer's night in the gorgeous blackness of the woods. No Pad-Pad came to torment us that time.
The Pad-Pad. One third panther, one third goat, one third something resembling human. Or so Nana Morgan claimed. It was a true forest-beast, long lost now to the outside world, but she knew for sure that a family of them still thrived in the ancient heart of Mulgrave Woods. Evil, cruel, sadistic beasts, they were silent in the shadow of the forest, their only sound the pad-pad-pad of foot-tread as they closed in on their prey. That sound, then the awful, fang-bared howling just before they ripped into their victims.
Nana Morgan had told that to our Dad and Uncle Peter, and when she was old she told it to us grandchildren, trying to scare us with her gory stories.
'And what does Pad-Pad feed on, my loves?' Nana Morgan's wrinkled eyes widened as she told us: 'On mice and cats and rabbits and owl-young; on fairies and goblins. Oh… and on children. Yes, my little sweethearts. On your kind! On tiny, little frightened children! The Pad-Pad will come for you as sure as I'm sitting here!'
Old Nana Morgan died years ago now, but the Pad-Pad lives on beyond her wild story.
'You can't sleep out in the Mulgrave Woods! There's the Pad-Pad. And it's Hallowe'en!'
Our Uncle Peter's words now. But our parents were young-hearted. They loved adventures. They didn't want us out trick or treating in the streets and alleyways of Whitby at night.
'Don't be daft, Pete,' our Mum told him. 'That's just Nana's nonsense. Anyway, we'll be with them. We're camping in the field just over the hill.'
Uncle Peter seemed angry then, and spoke as if holding back something secret from the ears of us children.
'You can't let them go, John. Tell her. You must both be mad. It's Hallowe'en. The Pad-Pad. Remember that night - the Pad-Pad!'
'Oh, stop it,' snapped Mum, taking Peter's arm, leading him toward the house door.
'You don't still really believe all that stuff, Peter? All that nonsense Nana Morgan used to spout.'
'The Pad-Pad,' she'd tell them - her neck quivering, the skin pimpled like uncooked chicken skin. ' They live in the woods. In the hollows in the woods. In the castle in the woods. In the tunnel in the woods. Stay there after sunset and call out its name - that'll be the last of you! Pad-Pad will have you! Mark my words.'
'It was all just nonsense,' Mum said. 'Old folk-tales. Listen Peter, we'd rather have our kids happy in the woods than roaming the streets with Hallowe'en weirdoes!'
Uncle Peter shook his head.
'Pad-Pad,' he whispered. 'I wouldn't take my kids down there tonight, not for all the money in the world.'
He stormed from the house then, slamming the door. Mum sighed with relief. Dad lit the candle in the pumpkin. We packed food, torches, lanterns and firewood; me, our Sam, our cousin Martin and little Billy from down the road. We loaded the tents and sleeping bags into the car. We locked the door and checked the windows. At last we set off for Sandsend, and Mulgrave Woods.
'Whooo… Whoooh…'
We spooked weird noises through the darkness, imitating owl and squeaking bats.
'I used to be a werewolf but I'm all right nowwhoooooh!' I joked.
'Pad-Pad,' shouted cousin Martin. 'Pad-Pad. Come and get us, if you dare!'
'Ssh!' I hissed, thumping his arm. 'Shut up! Don't be so stupid.'
The woods about us rustled, but our torches were bright. Mum and Dad were in their tent a few hundred yards away. We'd eaten hot dogs and marshmallows. We'd had diet coke and a sip of Dad's cold beer. We'd told spooky stories about babysitters, voodoo spells and freaky dolls.
Black trees hissing in the breeze; the drone of the sea moans in the distance; Pad-Pad is out there in the darkness.
Hallowe'en in the heart of Mulgrave Woods.
How much cooler can you get!?
Night blossoms to deeper blackness. Above the trees a silver moon floats its cruel, slanted smile. Stars swarm like angry wasps. Real owls hoot, making all of us jump. Our torches are still bright, but we are cold now. Suddenly we all goose-pimple with real fear.
Crick! Crack!
The snapping of twigs.
A footstep on dry leaves.
We stop breathing. We freeze. We listen.
'It's just Dad,' I say. 'He's mucking about.'
Though even I don't quite believe myself.
More rustling, then a louder
SNAP!
And now we are frightened, head hair prickling
'Dad?' shouts Sam, my younger brother.
'Dad? Mum? Stop mucking about!'
Sssnap. Snap. Pad. Pad.
We edge nearer to the embers of our camp-fire. There is a silence. Even the trees cease hissing. The sea's drone now is just a whisper. Then we hear it - a sort of soft breathing, quite as the rustle of silky moth wings. There's movement in the trees. Something is definitely creeping toward our tents!
Pad-pad-pad-pad…
Soft, thudding footsteps, circling, slow-moving, pacing toward our little camp.
'Dad!' I scream - he's gone too far with the joke this time, teasing us, trying to scare us like this. He's probably just sneaking up with a surprise pizza.
Pad… pad… pad…pad…
The strides stop just beyond the range of the camp-fire light. Our torches flash madly, picking out nothing but black shapes and shadows. Little Billy from down the road clutches onto my leg and begins to whimper. Hoping that this really is just them mucking about, I manage to tremble out: 'Mu-um? Dad? Stop it now and get over here into the light.'
A pause. Just silence. Then something is sprinting toward us, a shape rushing out of the darkness.
'Run!' it screams. 'To the car park. Now! Run for your lives!'
It's a familiar voice. Uncle Peter's. But he sounds different - screeching - terrified. And there in the light of the camp-fire I see that he's covered in blood. In his hand he has a knife. His face is raked with bleeding scratches, his shirt and trousers ripped to shreds.
'Pad-Pad!' he screams. 'Run from the Pad-Pad!'
And we run, blindly, screaming, stumbling in mud, tumbling in ditches, ploughing through streams without a thought of their depth or slippery treachery. And always, just behind us, the breath on our shoulders, the graze of fangs and the horrible foot-fall:
Pad-pad! Pad-pad! Pad-pad! Pad-Pad!
We make it to the car park. The sea gleams like silver milk across the beach there, hissing white foam upon the sands. We make it to the car, gasping, lungs hurting from the sprint. There's me … there's Sam… there's cousin Martin… there's little Billy from down the road. At last, Uncle Peter … shirt shredded… covered in blood… and behind us… around… the awful echo… Pad-Pad Pad-Pad Pad-Pad Pad-Pad.
Then another noise swelling, shrilling, piercing through the banging my own blood-beat. Whar...whar...whar…whar…
A siren. Blaring, screeching closer. A suddenly welcoming and hopeful sound. Of all things, a siren - I never thought I could be so comforted by that awful wail. We laugh and hug, weeping a cheer, so relieved to see the blue flashing lights. Only Uncle Peter is silent, standing away by the trees. He's staring back into the blackness of those terrible woods, going back in, slashing at the dark with his razor-edged knife.
***
'Don't sleep out in Mulgrave Woods!' I say.
I say it now to all our children.
I'm horrified at the thought that their parents might let them stray.
'There's the Pad-Pad,' I say. 'Pad-Pad. One third panther, one third goat, one third something resembling…'
I don't finish the sentence. It can't be human. I can't bring myself to say the human.
'My own Mum and Dad,' I say, but can't continue.
Our Mum. Our Dad.
And Uncle Peter.
Pad-Pad snatched them all from us on that murderous night.
Click the book to visit Chris Firths Site
The Mulgrave Tales
ISBN 0-9536405-5-8
Published by East Coast Books
108 Church Street, Whitby, North Yorkshire
Price £6 including postage and packing.
Tel: 01947 600135 or 01947 603159
Written by award winning local author and English Teacher Chris Firth
Old Lisa
For many years St Mary's church yard was closed on April 24th, St Mark's eve. anyone peering over the walls would see lanterns glistening here and there, as the wardens patrolled the grounds through the night to prevent anyone from getting in. A careful observer might notice that the
patrolling wardens took care only to patrol in a clockwise direction. For many years a "wise woman" from the town had been in the habit of visiting the church on St marks eve, and walking three times round the building in an anticlockwise direction, then waiting in the porch until midnight, for it had been believed for many hundreds of years that the souls of those who are to die in the following year will then appear. No other person in the town dared to visit the church on this night, and as a result old Lisa was held in great reverence.
Strange to relate, that in 1942, this same dray horse, now much older, collapsed and died on the same spot, on Henrietta Street, on St Marks eve. Though if you were to find Police records from the date, you would see that the event is supposed to have taken place on Church Street. The truth is that at that time all street signs had been pulled down to confuse any Germans who might invade, and the local constable, a large but not very well educated man, could not spell Henrietta, so he unhitched the horse, and succeeded in dragging it some 15 yards onto church street before filling in his report.
The Whitby Puppeteer
On the wintry morning of December 10th 1710, a puppeteer arrived in Whitby, proposing to perform his "Incredible Motion" that evening. He hired a room near the market, set up the show, then posted advertisements round the town to let people know that he would begin at 7.30pm.
To this day it is said that the ghost of the puppeteer is sometimes seen running through the market place, dressed all in black, carrying his bloody weapon. Any man who sees this ghost is advised to avoid it: he who catches sight of its face, still contorted with the horror of the black deed, is plunged into insanity. (I might note that The Black Horse remains the haunt of yarn spinning drunkards, and a gibbering refuge for those who have had the misfortune to see the puppeteer.)
The Oyster man of Whitby
Today we think of Oysters as a rich man's food eaten in exclusive restaurants with a
glass of champagne. How different it was two hundred years ago when "The
Oyster man" was a familiar figure in most towns, plying his wares round the
public houses. At that time, Oysters were a working man's food, downed with
plenty of beer and brown bread: the pork scratchings of their day. Gadgy Clarke
was the Oyster man of Whitby, making his daily round of the towns pubs, crying
as he went "oysters alive oh" in his weak reedy voice. He was a thin
man, whose long skinny neck seemed barely able to support the large oyster
basket he carried on his head. In contrast to Gadgy was Jonathan Smith, a big
dark. muscular man, a violent fellow, whose piercing eyes no man dare meet. How
he made his living no one knew. He would disappear for weeks or months at a time
returning in the dead of night. Some said he was a smuggler others a highway
man, some even that he was fabulously rich lord who sold his soul to the devil.
However he came by his money, it was sufficiently to allow him to live
extravagantly and keep several thoroughbred horses, which he rode madly
around the countryside, his head tilted back, his famous (and feared howls of
laughter cannoning of the trees and hedges. It was on a cold blustery November
night as Jonathan Smith was drinking in the bar of the Golden lion pub, that he
heard old Gadgy`s call "Come in Come in" he shouted, rapping on the
window. a few seconds later the oyster man entered the room. Now Jonathan
Smith always had around him a group of toadies, loungers and ne-er do wells whom
he lorded over. Much to their delight Smith immediately began to insult Gadgy
and his Oysters. Gadgy was a little annoyed at this.
All the stories on this page were taken from the Caedmon storytellers Books written
by Michael Wray , Edited by Chris Firth a local English teacher, Illustrated by
Anne Marshall.
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